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The use of visual scores in live audiovisual performance

dc.contributor.authorCarvalho, Ana
dc.date.accessioned2016-06-08T10:17:50Z
dc.date.available2016-06-08T10:17:50Z
dc.date.issued2014
dc.description.abstractThe text will focus on the connection between moving image and music to what concerns the possibilities of presenting composition scores as part of the creative process of live audiovisual performance in a way that emphasizes its improvisation and collaborative aspects. Scores are documents which preserve the ephemeral quality of the event and simultaneously makes possible its study and construction of its memory. How can score composition convey the improvisation and include the performer? Graphic scores in composition for music has been doing that since the 1950s through the work of several composers. We take as example the graphic score titled Treatise composed by Cornelius Cardew. As we understand today, scores are resultant from the interexchange between the arts. Scores, as representation of a composition to be performed, allow simultaneously organized improvisation and collaborative energies to come together in ways that reinforce the creative process.pt_PT
dc.identifier.isbn978-989-06858-4-0
dc.identifier.urihttp://hdl.handle.net/10400.24/503
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherAvanca: cine-clube de Avancapt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/pt_PT
dc.subjectLivenesspt_PT
dc.subjectPerformerpt_PT
dc.subjectScorept_PT
dc.subjectAudiovisualpt_PT
dc.subjectImprovisationpt_PT
dc.titleThe use of visual scores in live audiovisual performancept_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceAvancapt_PT
oaire.citation.endPage505pt_PT
oaire.citation.startPage501pt_PT
oaire.citation.titleAVANCA CINEMA 2014pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT

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