Capítulo de Livros
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Browsing Capítulo de Livros by Author "Carvalho, Ana"
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- IntroductionPublication . Carvalho, AnaThis book is a faithful reproduction of the Wikipedia article “VJing”, based upon the revision of July 25th 2010, last edited by 77.12.27.96. This book was produced as a physical outcome of the “wiki-sprint“, a collaborative writing workshop that was held in May 2010 in the frame of Mapping Festival, Geneva. The book includes a prologue by Raphael DiLuzio and an introduction by Ana Carvalho. The final editing and layout took place in August 2010 during Hyperactivity, a summer lab at Centre d’art de Neuchâtel. Note that the article also has an audio version (produced May 13th 2010 by the same team of contributors).
- Momentary gathering, performative moment and creative process: the documentation of realtime AV performancePublication . Carvalho, AnaBased on the premise that live audiovisual performance is a process-based artistic expression, this text presents a segmentation of three moments: Momentary gathering, performative moment and creative process. By defining each moment, constructed upon the relationship between performance and process, it draws on the possibilities in expanding beyond the limits of the events as they happen today while responding to its problems such as the construction of memory and identity of the related community.
- The use of visual scores in live audiovisual performancePublication . Carvalho, AnaThe text will focus on the connection between moving image and music to what concerns the possibilities of presenting composition scores as part of the creative process of live audiovisual performance in a way that emphasizes its improvisation and collaborative aspects. Scores are documents which preserve the ephemeral quality of the event and simultaneously makes possible its study and construction of its memory. How can score composition convey the improvisation and include the performer? Graphic scores in composition for music has been doing that since the 1950s through the work of several composers. We take as example the graphic score titled Treatise composed by Cornelius Cardew. As we understand today, scores are resultant from the interexchange between the arts. Scores, as representation of a composition to be performed, allow simultaneously organized improvisation and collaborative energies to come together in ways that reinforce the creative process.